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Britney Spears And The VMAs: Look Back At Nine Years Of Memorable Moments

Posted on 06 September 2008

Since 1999, the pop princess has stolen the show with stripteases, sexy moves and awkward appearances.
By Jocelyn Vena





Britney Spears and Madonna lock lips at the 2003 VMAs

Photo: Frank Micelotta/Getty Images









If anybody knows how to make a splash at the VMAs, it’s Britney Spears. Over the past nine years she’s dazzled us with stripteases, barely there outfits and some of the finest reptilian-accessorized dance moves ever to grace an MTV stage. With Britney’s 2008 VMA appearance looming on the horizon, we here at MTV News want to take a few moments to reminisce about her finest moments on the show.

Before her first VMA appearance in 1999, an anxious 17-year-old Spears went shopping for the big event with MTV News correspondent Serena Altschul, finally picking a sparkly, black Todd Oldham number. Little did we know how important Brit’s wardrobe choices would later become. She changed into a body-hugging black belly shirt and pants to team up with fellow teen dreams ‘NSYNC for their classroom-themed performance of ” … Baby One More Time” and “Tearin’ Up My Heart.”

The following year, Britney made another fashion statement. While covering the Rolling Stones’ “Satisfaction,” Spears was apparently unsatisfied with her tuxedo. So, when it was time to switch over to “Oops … I Did It Again,” she ripped it off to reveal a flesh-colored outfit that left very little to the imagination.

Spears tried to top that striptease in 2001, giving us three different moments to remember. In a promo for the show, she agreed to teach host Jamie Foxx some of her moves, and the two got down to Chuck Berry’s “You Never Can Tell.” Things got weirder on the red carpet, when she met Mick Jagger, who appeared not to know who she was. But our own Kurt Loder made Brit happy by pointing out that Keith Richards’ daughter was a huge fan of hers. Of course, the main event that year was her sultry performance of “I’m a Slave 4 U,” for which she draped herself in a python and slithered around a steamy garden setting, surrounded by dancers in zebra and tiger outfits. The whole affair pleased teenage boys everywhere, but left PETA very angry.

Not all of Britney’s moments have been about sexing up the show. In 2002, she donned a dominatrix costume, presented Michael Jackson with a birthday cake and referred to him as the “artist of the millennium.” Michael thought that meant he was receiving some new Artist of the Millennium award and gave an acceptance speech, turning what was supposed to be a sweet birthday celebration into one memorable moment.

This paved the way for what would be Britney’s most provocative VMA performance yet: Her now infamous 2003 kiss with Madonna, who also kissed Christina Aguilera, during “Like a Virgin.” The lip-lock shocked and amused everyone in the audience, including Spears’ ex-boyfriend Justin Timberlake.

In 2006, a pregnant Britney made her tamest VMA appearance via video, as she and Kevin Federline presented the award for Best R&B Video. At the time, she and K-Fed were happily married and expecting their second son. It was only a matter of time before that all came crashing down.

Last year’s “Gimme More” fiasco is still fresh in everyone’s memories, and the events of Spears’ life since then made many wonder if yet another hyped Britney comeback was wise this year. But the pop princess appears to be getting back on her feet at last, and she has three VMA nods at stake this year (she’s come home empty-handed after her previous 16 nominations). We’re keeping our fingers crossed that the former VMA queen can dazzle us the way she used to.

Now that you’ve helped us pick the nominees for this year’s Video Music Awards, head to VMA.MTV.com to vote for your favorite in the Best New Artist category, check out the latest additions to the performer and presenter lineups, see the best (and worst) of VMA fashion and much more. Then tune in this Sunday at 8 p.m. ET for MTV News’ “Opening Act” on the red carpet, followed by the big show, live from Hollywood at 9 p.m. ET.

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Jonas Brothers Fans Lie In Wait For Their Big VMA Moment

Posted on 06 September 2008

Meet the dedicated girls who camp out for every Jonas TV event they can.
By Jennifer Vineyard





Jonas Brothers fans wait for the Jonas Brothers

Photo: John Shearer/ WireImage

HOLLYWOOD — A line of girls has formed at Van Ness and Lemon Grove, outside Paramount Studios, home of the 2008 MTV Video Music Awards. Blankets, towels and cushions are strewn across the sidewalk to make the concrete more comfortable. It’s not yet noon on Saturday (September 6), but these dedicated fans don’t seem to mind, because no wait is too long to see the Jonas Brothers.

“When you’re a Jonas fan, you have to go to everything,” Kayla Palmer explained to MTV News. “And I’ve been here since 3 a.m.”

“I’ve seen them over 25 times,” said Amanda Adamcyzk, who ditched her job at an insurance company to stand in line.

“We’ve slept over at ‘Ellen,’ ‘Jay Leno,’ ‘Jimmy Kimmel,’ everywhere,” Jenna Lederer said, listing recent Jonas TV appearances.

These are not your average Jonas fans. The way they see it, if you’re not here, you’re an amateur, and they are the pros. “There’s a big difference,” asserted Maurissa Gomez, who skipped her shift at an Islands restaurant in Orange County to be here For her, being a Jonas fan is an even better job — just one she doesn’t get paid for.

And they do have a job: They’ll be in the audience for the Jonas Brothers’ VMA performance on Paramount’s “Brooklyn” back lot, and their enthusiasm is needed during the band’s rehearsal at 4 p.m. on Saturday.

“We weren’t even told what we’d be doing,” Adamcyzk said. “Just that there might be running involved, so we had to wear comfortable shoes, and we might get to see them.”

Thanks to their dedication, many of these girls have had the chance to interact regularly with their idols in a way that most fans don’t. They’ll gladly drive for hours, fly around the state and skip work or family vacations to be in the audience for any Jonas Brothers television show or awards performance that needs it, so long as Joe, Nick or Kevin acknowledges their existence.

“Sometimes, they do invite you to private parties afterwards,” Diana Maaz said.

“We don’t miss any events, even if it’s three in a day,” Palmer said. “Because they do notice you. They know who you are. And as long as they see you, if they point to you or smile or laugh, then, OK, I’m happy.”

“That’s their way of saying ‘Hi’ to us,” Adamcyzk said. “You just want to have that moment, to know you have that connection.”

“I remember the first time, Kevin winked at me,” Lederer said, “so now he’s my favorite. I know he winks at everybody, but that just made my night, that he winked at me. He’s a major winker, but he’s my Jonas.”

Now that you’ve helped us pick the nominees for this year’s Video Music Awards, head to VMA.MTV.com to vote for your favorite in the Best New Artist category, check out the latest additions to the performer and presenter lineups, see the best (and worst) of VMA fashion and much more. Then tune in this Sunday at 8 p.m. ET for MTV News’ “Opening Act” on the red carpet, followed by the big show, live from Hollywood at 9 p.m. ET.

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Oprah Winfrey Says Sarah Palin Will Not Be On Her Show Until After Election: Report

Posted on 05 September 2008

‘Sarah Palin would be a fantastic interview, and I would love to have her on after the campaign is over,’ Winfrey says in statement.
By Jocelyn Vena





Oprah Winfrey

Photo: Steve Granitz/ WireImage

Oprah Winfrey has reportedly denied a Drudge Report item that claims the talk-show host was considering having Republican vice-presidential nominee Sarah Palin on her show.

Winfrey issued a statement saying: “The item in today’s Drudge Report is categorically untrue. There has been absolutely no discussion about having Sarah Palin on my show,” according to TMZ.

“At the beginning of this presidential campaign, when I decided that I was going to take my first public stance in support of a candidate, I made the decision not to use my show as a platform for any of the candidates,” the statement continued. “I agree that Sarah Palin would be a fantastic interview, and I would love to have her on after the campaign is over.”

The Drudge item quoted an Oprah “insider” as saying: “Half of her staff really wants Sarah Palin on. Oprah’s Web site is getting tons of requests to put her on, but Oprah and a couple of her top people are adamantly against it because of Obama.”

Winfrey is a longtime Obama supporter who has campaigned for him. He has appeared twice on her show — in January 2005 and October 2006 — before he announced his candidacy for president.

The Republican National Convention, which featured addresses from Palin on Wednesday night, closed with candidate John McCain’s address on Thursday night. Amid many stories in the past week about Palin, her daughter Bristol’s pregnancy and Bristol’s boyfriend Levi Johnston, late Thursday night the rock band Heart, whose song “Barracuda” was used during the convention in a nod to Palin’s old nickname, leading the band to reportedly issue a cease-and-desist letter to the campaign.

“The Republican campaign did not ask for permission to use the song, nor would they have been granted that permission,” says a statement from Heart’s camp, according to TMZ.com. “We have asked the Republican campaign publicly not to use our music. We hope our wishes will be honored.”

John McCain Gets Intimate With RNC Delegates In Nomination Speech, Promises Change

Posted on 05 September 2008

McCain had a tough act to follow after VP candidate Sarah Palin’s blockbuster address.
By Gil Kaufman





John McCain addresses the Republican National Convention on Thursday

Photo: Emmanuel Dundand/ Getty Images

ST. PAUL, Minnesota — After a week when Republicans blasted Democrats for being the same old tax-and-spend liberals and a star was born in the form of GOP vice-presidential candidate Governor Sarah Palin, Senator John McCain had a simple task Thursday night (September 4) on the final night of the Republican National Convention: seal the deal.

Never the first choice of the conservative core of the Republican party, McCain set out to do that in his nearly one-hour speech by stressing his independent streak and inviting delegates to get onboard his express train to a new day for the Grand Old Party.

“You all know, I’ve been called a maverick, someone who marches to the beat of his own drum,” McCain told the packed house, which gave him a nearly two-minute standing ovation. “Sometimes it’s meant as a compliment, and sometimes it’s not. What it really means is I understand who I work for. I don’t work for a party. I don’t work for a special interest. I don’t work for myself. I work for you.”

It was a theme he would return to often during the low-key speech — his drive to rise above party — and while McCain’s address mostly lacked the sparkle and partisan bite of Palin’s crowd-rouser the night before, he took on the slow and steady tone of a man who has learned the importance of carefully measured steps.

“I’m not in the habit of breaking promises to my country, and neither is Governor Palin,” said McCain, who was interrupted twice early on by protesters who were dragged out of the hall to the shouts of “USA! USA!” from the audience. “And when we tell you we’re going to change Washington and stop leaving our country’s problems for some unluckier generation to fix, you can count on it. And we’ve got a record of doing just that and the strength, experience, judgment and backbone to keep our word to you.”

While McCain took a few digs at Democratic presidential candidate Senator Barack Obama in the speech, they were mostly in an attempt to show how his policies would be different from his Democratic rival’s, and he steered clear of any personal attacks or questions about Obama’s character. Curiously, for a speech in which he was accepting his party’s nomination, McCain often returned to the theme that he was not beholden to a party, but to the American people and his drive to change the old way things are done in Washington. “But let there be no doubt, my friends, we’re going to win this election,” he said. “And after we’ve won, we’re going to reach out our hand to any willing patriot, make this government start working for you again, and get this country back on the road to prosperity and peace.”

“The constant partisan rancor that stops us from solving these problems isn’t a cause, it’s a symptom,” he said. “It’s what happens when people go to Washington to work for themselves and not you. Again and again, I’ve worked with members of both parties to fix problems that need to be fixed. That’s how I will govern as president. I will reach out my hand to anyone to help me get this country moving again. I have that record and the scars to prove it. Senator Obama does not.”

McCain, who prefers the intimacy of town-hall-style meetings over large campaign gatherings, was in his element Thursday on a stage that was reshaped to include a ramp that extended out into the Xcel Center floor and put the candidate closer to his constituents.

In addition to battling the specter of Obama’s big-stage speech in front of 80,000 at Invesco Field a week before, as well as the still-warm afterglow of Palin’s address, McCain faced the further obstacle of convincing the party faithful that his outsider, maverick image as a reformer who sometimes crosses partly lines to get the job done is one that works for the GOP and one that it should embrace. And while the faithful did whoop and cheer for his many red-meat lines, there were quite a few lines — especially ones in which McCain promised to work with Democrats and reach across party lines without a focus on credit-taking — that drew polite, tepid responses. When McCain decried corruption in Washington, including his own party, there was a noticeable silence in the hall.

But again and again, he stressed that he and Palin would make serious changes in Washington. “I’m very proud to have introduced our next vice president to the country. But I can’t wait until I introduce her to Washington,” McCain said. “And let me offer an advance warning to the old, big-spending, do-nothing, me-first, country-second Washington crowd: Change is coming.”

After months of attacking Obama as too inexperienced to be president, McCain made scant mention of that Thursday night, though Palin and other GOP surrogates have been repeatedly putting out the message that the first-term Alaska governor and former small-town mayor has more executive experience than the Illinois senator. With Palin onboard — and, seemingly with her, the party’s more conservative, evangelical base that had not fully embraced McCain prior to this point — McCain reiterated some of the campaign’s top talking points: increased oil drilling and a strong pro-life stance, as well as a desire to shrink government and put more money in the pockets of average Americans.

McCain will be hard-pressed to beat the numbers put up by Palin, who roped in 37.2 million voters on Wednesday night, according to Nielsen Media Research, crushing the DNC numbers for day-three addresses by former President Bill Clinton and Democratic vice-presidential candidate Senator Joe Biden by 55 percent. The numbers were so huge for Palin’s national political debut that they almost reached the Super Bowl-worthy ratings put up by Democratic nominee Senator Barack Obama, whose speech was seen by 38.4 million.

As the campaign has done all week, the speech also focused on McCain’s service to his country as a soldier, an element of his biography that the senator talked about when describing his love of the United States. “I fell in love with my country when I was a prisoner in someone else’s,” McCain said. “I loved it not just for the many comforts of life here. I loved it for its decency, for its faith in the wisdom, justice and goodness of its people. I loved it because it was not just a place, but an idea, a cause worth fighting for. I was never the same again. I wasn’t my own man anymore. I was my country’s.”

Making the case that Obama and three-decade Senate fixture Biden are about politics as usual, McCain, himself a 26-year member of Congress, exhorted his party to rally to his message of change and reform or risk losing more than just the presidency. Less sure of himself on the stage than Obama, McCain, 72, who would be the oldest president ever elected to office for a first term if he wins in November, didn’t try to outperform his more polished Democratic rival, but instead delivered a speech that mixed a number of his tried-and-true stump lines with a sense of the vigor that Palin’s addition to the ticket has injected into his quest.

Following Palin’s speech Wednesday, Obama strategist David Axelrod decried her attacks while speaking to reporters on Obama’s campaign plane, saying that instead of talking about issues such as health care and the economy or the war in Afghanistan, Palin sounded and looked “very much like she’d fit in very well there when you see how she brings these attacks. They all felt very familiar to Americans who are used to this kind of thing from Washington.”

John McCain might not be the candidate all Republican Party stalwarts were hoping for, but the combination of his stirring personal story line and his insistence on running as an outsider within his own party made for great political theater. And when the Vietnam hero exhorted the crowd to “fight with me, fight with me” at the end of the speech, he was drowned out by the thundering ovation as a deluge of red, white and blue confetti and balloons rained down.

Afterward, the mood in the hall was celebratory, though even party die-hards had to admit that McCain didn’t necessarily deliver the kind of signature moment that could seal the speech in history.

John Engle, a 19-year-old convention page from Maui, Hawaii, said that even though McCain was a bit stiff, he loved the speech and praised the Arizona senator for showing respect for Obama and not bashing his rival. “I thought it was an excellent speech and I like his plans for the economy, because I’m scared of a socialized medicine plan that could bankrupt the country.”

“It’s blindingly obvious he give a different kind of speech [than Palin or Obama],” said Eric Peterson, 23, who was gathering up confetti and McCain signs in the stands. “But there’s never been a presidential candidate with the same story and … he’s not as charismatic as Senator Obama, but he has a lot more substance.”

Peterson said that the big difference for him between the Obama and McCain addresses was his sense that McCain’s was more optimistic. “If you listened to the Democrat speeches, you would think this country is down in the dumps and some kind of third-world county,” he said. “But the Republicans see a great future.”

Don’t miss out on the action: MTV News and our Street Team ‘08 will be on the ground at the Republican National Convention to sort through all the speeches, streamers and ceremony and find the information you need to choose our next president. Head to Choose or Lose for nonstop coverage of the 2008 presidential election.

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Lily Allen Says Catfight With Elton John Was The Invention Of ‘Bitter Journos’

Posted on 05 September 2008

Singer takes to MySpace blog to explain that she and GQ Awards co-host were only joking.
By Jocelyn Vena





Lily Allen at The <i>GQ</i> Men Of The Year Awards in London on Tuesday

Photo: Eamonn McCormack/WireImage

The verbal catfight between Lily Allen and Elton John at the GQ Men of the Year Awards in London on Tuesday was grossly blown out of proportion, Allen says in her MySpace blog. John’s jabs about the young singer’s drinking, and her quips about the pop icon’s age, were nothing more than onstage banter, she asserts.

“Elton John and I are friends,” she wrote. “I was honoured when Elton asked me to present the GQ Awards with him this year in association with Elton’s AIDS foundation. Not only was it for a good cause, but who would say no to Elton?”

During the show John, 61, reportedly called out the 23-year-old for drinking while co-hosting the celeb filled bash. “I’m not defending my drunkenness because I don’t need to,” Allen says. “I’m 23; it was an awards ceremony; I drank the free champagne. How awful of me.”

She goes on to say the notion that she and John were fighting was really the work of “bitter journos” trying to stir the pot by mischaracterizing their comments. “Trying to create a feud … and trying to make me out as being some rude little girl with a drink problem is just unfair.

“Elton and I exchanged jokes and there were no hard feelings at all,” she continues. “In fact, neither of us gave it a second thought.”

In the blog entry, Allen also airs her feelings about the media and the treatment they’ve given her since the incident. “All these showbiz journalists are just bullies when it comes down to it. I have felt really very bullied this week.”

At Tuesday’s event, The Times of London also reported that Allen blurted out the previously secret news that her brother Alfie was engaged his girlfriend, actress Jaime Winstone. But Allen says this was another exaggeration. “Alfie and Jamie had never been engaged,” she wrote. “Jamie and I are the best of friends, and I was just winding Alfie up. He’s my little brother, and that’s what siblings do.”

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Fall Out Boy Exclusive: Band Previews Folie A Deux Tracks For MTV News

Posted on 05 September 2008

Patrick Stump explains LP’s political edge and how Pete Wentz’s marriage affects the lyrics.
By James Montgomery





Fall Out Boy’s Pete Wentz and Patrick Stump

Photo: Chris Polk/ FilmMagic

LOS ANGELES — “Hell yes, this record is political. But it’s not ever going to be overt. You have to look beyond that,” Fall Out Boy frontman Patrick Stump said from the studio where he and his bandmates are putting the finishing touches on their Folie à Deux album. “I think this is a very political record, but that gets misunderstood really easily. I think people don’t really care what ‘politics’ even means anymore. If there’s a simple theme that I would want to express through the music, it’s that you really need to think about things.”

Stump is speaking, of course, about the recent reports of the (supposed) political slant on the FOB album that’s due November 4 — Election Day. While his sentiments are probably only going to further confuse fans — and provide ammo to critics — we’ve got to admit that he’s pretty dead-on in his assessment. At least, judging from the tracks we heard.

On Thursday night, MTV News visited Fall Out Boy — who, coincidentally, are nominated for Best Rock Video at the 2008 Video Music Awards — at an L.A. studio to get a sneak peak at a handful of songs from Folie, all of which bore tentative titles (”America’s Sweethearts,” “Never Believe,” “Does Your Husband Know?”) and a healthy dose of political edge. But not of the red state/ blue state variety, mind you.

Rather, the new songs delve deep into the politics of the heart and mind, exploring decaying relationships, moral dilemmas and societal shortcomings. The lyrics — written once again by bassist Pete Wentz, who works through a series of thoroughly detestable characters on the new album — deal heavily with concepts like truth and trust, arrogance and infidelity, responsibility and commitment. It’s a world where there’s not all that much difference between a marriage vow and a campaign speech, in that both are rooted in a promise, one that is easily — and often — corrupted.

“One of the things I wanted to do on this record is — and it was very conscious … I don’t think enough people give Pete Wentz any credit. I think he’s awesome, I think he’s a very talented guy,” Stump said. “People only take pictures of him on his way to somewhere. So you just see him with his cup of coffee walking into the studio, but you don’t see him in the studio. He’s in here working a lot. He totally outdid himself on this record. He doesn’t even know how good his lyrics are here. … So I really had to do something to suit that. So I’ve been using musical style as a palette to support his lyrics.”

The best example of this synergy is probably “Husband,” which struts in on a massive drum line and crunching, processed guitars, gets amplified by a four-piece horn section, then falls away to a simple, somber piano line. It’s sexual one minute, heartbreaking the next — the perfect accompaniment for Wentz’s tale of infidelity and deception.

“Swagger is a great way to describe it, because on the song, he’s lyrically adopting a character that has swagger, so I wanted the music to have that swagger. The verse is so confident and funky and forward because the lyric is so full of itself,” Stump explained. “And then everything stops, and there’s a piano breakdown, and it’s very melancholy and sad and theatrical, and the lyric shifts to the doubt that’s behind all that arrogance. And ultimately, I wanted the music — in conjunction with the lyric — to express that arrogance is usually a mask for terrible insecurity.

“What I took out of [the lyrics] was that there was something so compelling about the character in the song. … Like in ‘Silence of the Lambs,’ when Hannibal Lecter is talking about how he doesn’t kill, he covets. … The song is about that — the prowl of chasing a woman,” he continued. “I think it meant, like, this guy is cheating on his girlfriend, but he knows she’s not cheating on him. There’s this total ‘looking into the mirror and trying to convince yourself of absolute lies’ kind of thing. People ask all the time, ‘Oh, Pete got married, how does that affect the record?’ and I think, if anything, he just wanted to point out how lightly people are taking their marriages. No one seems to be worried about what’s going on, they just want to have things.”

And that focus on the failings of society continues on “Never Believe,” which is powered by drummer Andy Hurley’s work — this time a taut marching cadence — and lush, open guitarwork from Joe Trohman. Stump’s voice is loud and clear as he urges the listener to “throw your cameras in the air/ Wave ‘em like you just don’t care.”

” ‘Never Believe’ contains my favorite Fall Out Boy lyric, maybe ever. Because everything we’re trying to say about pop culture, it’s in this song,” Stump said. “The chorus — ‘Change will come, but I will never believe in anything again’ — that’s about the ’90s, when we really cared, [but] then we got into all this awful mess. And I think people stopped believing in the goodwill of man and that you can change the world or do any good. So everything became internalized. The past decade has been totally about ‘me.’ It’s totally about ‘Oh, I’m sad. I want this. I know somebody who knows this person. Me me me me me,’ so that’s what that song is about.”

And while he was at it, Stump decided to dissect the first single from Folie, the strutting “I Don’t Care,” which the band debuted earlier this week on their official site. Seems that it, too, is another attack on the vapidness of the era we currently inhabit, one obsessed with celebrity and the self. It’s an attack you can shout along to, of course. It is a Fall Out Boy song, after all.

“Like the chorus says, ‘I don’t care what you think as long as it’s about me.’ It’s that pop culture thing again, where people don’t care about anything but the superficial, and I think there’s something so tragic about that,” he laughed. “I also thought there was something so ironically anthemic about the chorus, where it’s not something you want to sing along to, because it’s vacuous and empty. So I wanted something really anthemic underneath it, like something you’d hear at sports games or whatever, because I wanted people to hear it and be confronted with how empty that is. I didn’t want anything to be superficial on this record unless the point was to point out superficiality.”

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Pink, Jonas Brothers Take Over TV And Movie Sets For VMAs

Posted on 05 September 2008

As we prepare for Sunday’s big show, Hollywood goes about its business.
By Jennifer Vineyard





Pink rehearses a stunt on the Paramount lot

Photo: John Shearer for MTV News

HOLLYWOOD — “Quiet on the set!” a director yells. Good luck getting that to happen.

The VMAs may have taken over Hollywood, but MTV’s awards show isn’t the only shoot in town — let alone at Paramount. Here on the 65-acre lot, five separate television shows are under way: Selma Blair’s new series “Kath and Kim,” Christian Slater’s “My Own Worst Enemy,” “Privileged,” “Dirty Sexy Money” and, perhaps the most inconvenienced by the VMAs, “Everybody Hates Chris.”

“I wouldn’t say you’ve been bad neighbors,” teased Tyler Williams, the show’s star. “You’ve just been neighbors who’ve taken over half our lot.”

The VMA main show takes place at Stage 16 — “Everybody Hates Chris” is at Stage 17. But the show also makes judicious use of the 46 New York-themed facades nearby, which the VMAs are borrowing for performances by the Jonas Brothers (on the “Brooklyn” block) and Pink (on the “SoHo” block across the street). In fact, the Jonas Brothers are going to be performing just in front of the brownstone used as the front of Chris’ house.

“You’ve been building things, moving in on the territory, dropping property values,” Williams joked. “But you’re making up for it with the Jonas Brothers. People performing right outside our house will be funny. One of us should come out and yell, ‘Shut up! God!’ [during the performance]. But we’ll watch and be like, ‘That’s our house! Our block! Our neighborhood!’ ”

Most of the shows have gone on like it’s business as usual — as long as they stay on one of the 29 soundstages (don’t even ask about the parking situation). And some of these stages are huge. One of the three for “Dirty Sexy Money” holds the Darling mansion inside, and it is so big, you could actually get lost inside and believe it was real. There are real flowers. Real wood for the floors. Real glass for the chandeliers. Real antique chairs for the foyer. It’s just around the edges that it becomes evident that it’s all a set.

But that’s just one of the many movie-magic touches all around the lot, where you’re constantly surrounded by something that looks real and something that’s fake and, sometimes, it’s hard to tell the difference. Peppered around the stages are storefronts for shooting purposes — but some of the businesses are functional, like the dry cleaner, barber shop and hospital (which doubled as Kelly McGillis’ beach house in “Top Gun”). Tourists get confused and drop real mail into some of the prop mailboxes on the New York streets.

Old Hollywood types added to the confusion. Lucille Ball, for instance, had the lot build her a facade of her New York and Beverly Hills homes across the way from her office so she could take pictures there and pretend she wasn’t quite the workaholic she was rumored to be. New Hollywood isn’t much better, but at least most of the shows on the lot have a sense of humor about being here, considering the placards they place on the golf carts they use to putt around (”Everybody Hates Chris” becomes “Everybody Hates Actors,” for instance — and, just for us, they made signs that read, “Everybody Hates MTV”).

“We don’t hate you,” Williams said. But during a fantasy sequence the show had to shoot on the New York block this week — a shoot the VMAs delayed — Williams took inspiration from MTV to get in character. “I was throwing dishes, pots, pans, forks, knives out the window,” he said. “There was a car outside that I was throwing at, and I don’t remember — I may have blacked out — but I remember something silver on the car and throwing a knife at it. It might have been a Moonman.”

Now that you’ve helped us pick the nominees for this year’s Video Music Awards, head to VMA.MTV.com to vote for your favorite in the Best New Artist category, check out the latest additions to the performer and presenter lineups, see the best (and worst) of VMA fashion and much more. Then tune in this Sunday at 8 p.m. ET for MTV News’ “Opening Act” on the red carpet, followed by the big show, live from Hollywood at 9 p.m. ET.

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Heart Object To McCain Campaign’s Use Of ‘Barracuda’ During Republican National Convention

Posted on 05 September 2008

Ann and Nancy Wilson reportedly sent cease-and-desist letter to Republican candidate.
By Chris Harris





Heart’s Nancy Wilson

Photo: Kevin Winter/ Getty Images

In the past week, Republican presidential candidate John McCain and GOP vice-presidential nominee Sarah Palin have managed to rile two classic rock outfits, Van Halen and Heart, who both claim the Arizona senator’s campaign didn’t ask their permission to use their songs.

First, on August 29, just minutes before revealing Palin as his running mate, McCain strutted out onto a stage in Dayton, Ohio, as Van Halen’s inspirational 1991 track “Right Now” boomed through the speakers. Hours later, the band’s publicist told MTV News that Van Halen had no idea McCain would be using the track, and “had they asked, permission would not have been granted.”

Now, the candidate has enraged Heart’s Ann and Nancy Wilson, who’ve apparently issued cease-and-desist letters to the McCain/Palin campaign, demanding that their 1977 hit “Barracuda” not be used as Palin’s theme song. The track was used Thursday night, both to introduce Palin and on the heels of McCain’s acceptance speech, at the close of the Republican National Convention in St. Paul, Minnesota. The song was likely chosen to refer to Palin’s nickname “Sarah Barracuda,” which the Alaska governor earned as a high school basketball star in her hometown of Wasilla, Alaska.

“The Republican campaign did not ask for permission to use the song, nor would they have been granted that permission,” says a statement from Heart’s camp, according to TMZ.com. “We have asked the Republican campaign publicly not to use our music. We hope our wishes will be honored.”

“Barracuda” is perhaps Heart’s best-known single, and appears on the band’s third LP, Little Queen.

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Posted on 05 September 2008

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Katy Perry

Photo: MTV News

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Tokio Hotel ‘Don’t Expect’ To Snag Best New Artist VMA From The Ladies

Posted on 05 September 2008

‘We have no chance,’ frontman Bill Kaulitz says of band’s two nominations.
By Jocelyn Vena, with reporting by Kim Stolz





Tokio Hotel’s Bill Kaulitz in the video for “Ready, Set, Go!”

Photo: Universal

Tokio Hotel are the only males to be nominated for Best New Artist at this year’s Video Music Awards — they are also the only foreign act contending for the prize. Maybe that will give them the edge, but the guys are quite shy about their chances of snagging a Moonman at Sunday’s big show.

“We don’t expect it, so for us, it’s so cool to be nominated,” frontman Bill Kaulitz told MTV News. “I think it’s really, really special for us — it’s America and it’s our first American award, and that’s so huge.”

The German pop-rockers are up against American pop stars like Jordin Sparks and Miley Cyrus, but back in Germany, the guys are the megastars. They’ve sold millions of records in their home country and scored several #1 hits since they got together in 2001. Being crowned Best New Artist in front of an American audience would only solidify their fame here in the United States.

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Just because they’re rock stars back home doesn’t mean they don’t appreciate being nominated for a VMA. “I mean, I still can’t believe it,” Bill said. “Last year we were nominated at the [MTV Europe Music Awards; they won one] and it was the biggest thing we had, and now it is the Video Music Awards.

“It’s really hard to get fans in another country, especially here — America is so, so big, so it’s really hard to get known in this country,” Bill told MTV News back in May. “We are so excited we have fans here at all. In America, we see a fan and it is like, ‘Oh, we are proud! We have a fan in America!’ ”

But with a couple of VMA nominations on their side, it seems that now they have more than just one fan in the States. Guitarist Tom Kaulitz added, “To be nominated at the VMAs, for a German band, I think it’s crazy.”

The guys also have a chance to pick up the Best Pop Video trophy for “Ready, Set, Go!” Of going up against the likes of the Jonas Brothers, Bill modestly said, “We have no chance.” But one thing he does hope he has a chance of doing is meeting Rihanna at the big show on Sunday. “I think it would be so cool to meet Rihanna, ’cause she’s so sexy.”

Now that you’ve helped us pick the nominees for this year’s Video Music Awards, head to VMA.MTV.com to vote for your favorite in the Best New Artist category, check out the latest additions to the performer and presenter lineups, see the best (and worst) of VMA fashion and much more. Then tune in this Sunday at 8 p.m. ET for MTV News’ “Opening Act” on the red carpet, followed by the big show, live from Hollywood at 9 p.m. ET.

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